Ringling Underground:
A series of one night only events combining live music and experiential artworks in the Courtyard.
______________________+MUSIC_____________________
The Ringling and SRQ Arts Presenters :

Roadkill Ghost Choir
FALSE YOUTH ETCETERA – VOL. 1+2

It’s been two years since Roadkill Ghost Choir has taken listeners on a ride. Last trip, Andrew Shepard (Vocals / Guitar), Zach Shepard (Bass), Maxx Shepard (Drums / Vocals), Stephen Garza (Guitar), and Kiffy Myers (Pedal Steel) packed the car, pedal to the metal, with a banjo, guitars, and the profound swelter of the South. With the upcoming arrival of False Youth Etcetera, the quintet outgrows their roots in a supersonic fashion – exchanging their known
vehicles for an electrified, aspirational magic carpet ride that soars through the night sky versus the tireless trudge of clocking mileage on an odometer. Coming off of a handful of challenging times, Andrew in particular was a bit hardened by his experiences on the road under pressure to deliver new songs. It’s no surprise False Youth Etcetera feels like a turn towards fantastical
and anthemic escape compared to songs from the past. It’s immediately felt on the band’s first single, “Classics (Die Young),” which bends beautifully and purposefully in the direction of M83 than the group’s previous resonance to contemporary folk, based mainly in their choice of instruments to begin with. “Going into [the band’s first major release] In Tongues, I was terrified
because I had never written under such a pressured amount of time, and I had struggled with writer’s block for a good portion of that time. After the record was completed, I had my first full-on panic attack on tour in Houston during one of the worst tours we’ve ever been on,” notes Shepard. “The sandwich I was eating [before a gig] started to fall apart, and it felt symbolic of my current state. I immediately left the awful restaurant and found myself aimlessly walking around an unfamiliar city, feeling I had hit a wall both in my personal life and creatively within the band. That was a major seed for the record – the dread that informs life being in a band.”
Shepard was able to afford a more comfortable and inherently inspirational environment where his body of work for the band could flourish, and where he could feel closer to himself. He explains, “It ended up being the first time I didn’t have a timeline, so I went right back to that – me sitting and recording, getting ideas down, and navigating what I really wanted to do sonically
and lyrically. False Youth Etcetera is more textural, more synths, more interesting.” Shepard is pointed in the departure from their familiar sounds, confirming “there is no banjo” on False Youth Etcetera. Instead, the new set of songs is “sonically, what I always wanted to do. I got to sit in my room in my underwear and play on synthesizers all day long figuring stuff out. We learned a lot more in the studio than ever before recording as a band, figure things out, and fully
realize what we were going through.” This notion also shines through in the songwriting of False Youth Etcetera, the strength of which Shepard credits to his ability to “go through all [his] petty shit, sadness, take a deep dive, face it, reconcile it, and at the end, realize it’s not that bad.”
This desire to explore new musical terrain was only bolstered by Shepard’s adoration for similarly sonic explorations that feel like transport and transformation – felt in roots of influence like The War On Drugs, and Shepard’s longtime desire to “make a record that sounded like Springsteen if Neu! was his backing band. I think I listened to nothing but Springsteen for about a year… Songs like ‘Tougher than the Rest’ informed how I wanted to approach the record
sonically. The great 80’s synths, and big drums, huge and covered in reverb. I’m drawn to it for some reason and I have no idea why.” This refreshed perspective and palette of inspiration, combined with the “comfort” and “centrality” of a new home base in the richly musical town of
Athens, Georgia positions Roadkill Ghost Choir to brighten many corners as False Youth Etcetera unfurls to an audience waiting to sit shotgun wherever the path guides them next.
The album is a drive that picks up an impassioned pace – starting with the extended, hazy dream sequence of “Vision on Vision (Undo)” that will make Roadkill Ghost Choir faithfuls feel right at home; picking up the pace on the majorly pulsating “Dream Shiver;” later careening into the stunning peak of a starry, Kraftwerk-inspired, and multilayered journey called “Panik Kit.” The back half of False Youth Etcetera is masterful aural poetry – from the soaring liberation of “Sad Magic,” the impassioned yearning of “Suit Said Sing,” to the lilted, sweet conclusion, “Out of Existence,” so clearly and beautifully delivering the group to a whole new illuminating, electric terrain.

DEA & SAINT (Saint Petersburg, FL)
Unique counterparts fusing raw talent with unprecedented energy. Hip-Hop, Soul, Hardcore, and Punk elements effortlessly combining in perfect synergy.

Pathos, Pathos (Orlando, FL)
It’s in circuses and festivals where every view that greets the eye is spectacular and alluring. Abnormality is celebrated and human dilemma, outside the fair gates, becomes an afterthought. Beneath these carnival lights, Pathos, Pathos is the search for euphoria along a path obscured by obsession, longing, and doubt.

____________________ +ART__________________________
Art in the Courtyard at Ringling Underground: ‘
Ringling Underground event and artist liaison Sarah Viviana Valdez will present artworks in the Courtyard:

TBA

Ringling Underground is always free for college students with a valid college ID. It is an extension of the Art After 5 program held on Thursdays after 5 p.m. After hours discounted admission is $15 for adults; $5 for children 6-17, children 5 and under and Museum Members are free.

Cash bar provided by Modern Events at The Ringling.

Taco and quesadilla station compliments of Poppo’s Taqueria!

Ringling Underground is a rain or shine event.
Share your Underground experiences on social media using the hashtag:#RinglingUnderground

Ringling Underground:
A series of one night only events combining live music and experiential artworks in the Courtyard.
______________________+MUSIC_____________________
The Ringling and SRQ Arts Presenters Presents :

Hank & Cupcakes ( NYC/ Tel Aviv)

Hank & Cupcakes are Aliens of Extraordinary Ability… At least according to the US immigration services. Hailing from Tel Aviv to New York City in late 08’, the duo, consisting of powerhouse vocalist/drummer Cupcakes and bassist extraordinaire Hank were quickly dubbed a “must see” live act on the local scene. Attracting praise from MTV and New York Post, the buzzworthy band were signed to BMG with whom they released their 2012 ‘Aint No Love’ EP. When faced with the choice of creative compromise vs. artistic freedom, Hank & Cupcakes chose the latter, walking away from the deal to self release their debut LP ‘Naked’ in 2013, followed by ‘Cash 4 Gold’ in 2014. The two are known for their explosive live performance which has finally met it’s match in the form of the band’s forthcoming record, Cheap Thrill.

The Jackettes ( Saint Petersburg, Florida)
They are not so much a band as they are an attempt to give form to the passion felt for the music that we have come to know and love in our human existence. Like a child trying on their father’s too-big suit and tie or a group of toddlers shoulder-stacked under a baggy trench coat– we are youthfully attempting to carry the glimmering torch of our musical ancestors. This is an effort to give the world her next “classic sound.” We love it all: from the tender ballads of the Great American Songbook, to the unpredictable antics of a swinging 70’s r&b diva mythical and real….and we feel a strong obligation and connection to those of the yester-world to make music with those same characteristics. A sound that transcends being accepted and understood. We are humans struggling under the weight of living and dying. We are made by a great creator trying to be as creative. So it goes. The music we create embodies the out of touch, out of sync, misunderstood hysterical breakdown of simply living- to unite us.

Spark Notes (SRQ, Fl)
In a performing arts high school in Sarasota, FL, a french class assignment led to a one-off performance of Louise Attaque’s ‘J’t’ emméne au vent’ by Gene Hodsdon and Alfonso Murillo, later to become the founding members of the Spark Notes…

Eventually college, women and life drew them in separate directions, but music brought them back together several years later. Struggling to find their sound, the diverse population of the Tampa Bay Area eventually inspired their musical direction; they decided their sound would have a mass appeal to a wide variety of audiences.

From the driving punk rhythms of ‘Undone’ to the simple acoustic strums of ‘Florida Keys’, Spark Notes’ music is a nod in the direction of their influences; soft songs and loud tunes with a modern rock foundation.

Their 2nd independent EP release entitled ‘Focus’ is currently in the works AND is slated to be released in Spring 2017. Stay tuned…

____________________ +ART__________________________
Art in the Courtyard at Ringling Underground:
Ringling Underground event and artist liaison Sarah Viviana Valdez presents: TBA

Ringling Underground is always free for college students with a valid college ID. It is an extension of the Art After 5 program held on Thursdays after 5 p.m. After hours discounted admission is $15 for adults; $5 for children 6-17, children 5 and under and Museum Members are free.

Cash bar provided by Modern Events at The Ringling.

Taco and quesadilla station compliments of Poppo’s Taqueria!

Ringling Underground is a rain or shine event.
Share your Underground experiences on social media using the hashtag: #RinglingUnderground